I love editing like I love assembling Ikea furniture. Seriously! It’s Legos for adults.

The trick with editing, I find, is to treat it like a sculpture. You keep making passes, over and over and over and over, making corrections here and there. It’s dreadful at first because it’s bulky and doesn’t resemble anything watchable. But soon you get to a point where you’re stressing over one frame staying or going.

After the 1000th watch it becomes white noise. Walk away for a while. Enough time to get out of editing mode. One day is perfect by a couple hours will do. Don’t watch it in your editing software, it’s better to see it in a movie player like QuickTime. The scene will look remarkably fresh and that ‘hard decisions’ over one frame will suddenly be easy.

With all creative endeavors you need periods of intense focus balanced by periods where you completely ignore it. I’m trying very hard to apply this fact to my own life. If you work on something all the time you’ll just stress over it, lose all the joy and become no fun to be around.

For the sake of your sanity and your friendships: Balance that shit out!

My interviews are up on Gapers Block. Myself and two other local filmmakers (Steve Delahoyde and Paul Thomas) sat down for a roundtable type chat about filmmaking in Chicago. It was fun!

Read the article here
The was a so a brief Q&A

New clip from Master of Inventions. In this scene, Jeff slips into a daydream during a boring meeting…

from Joe Avella on Vimeo.

It’s an homage to the bank scene from They Live:

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When it comes to no budget independent film making, you will encounter flack from a lot of authority figures:

-Police
-Landlords
-Nosey neighbors
-Property owners
-Drunk Cubs enthusiasts

From years of dealing with these types, I’ve learned the best way to talk your way out of a tight spot is to claim your a film student at (local college, university, or art school). If you want to get ballsy you can say you’re an intern (or whatever) at the Sundance Institute. I did this for a bit, but people would ask a lot of follow up questions and assume I was famous.

I’m in Chicago, so my stand-by is grad student in the Columbia College film program. Art schools are especially nice because no one would expect you to produce a school ID.

Regardless of what school you pick, saying you’re a student creates the illusion that you’re well meaning (I’m sure you are, but most people see cameras and dudes and think you’re up to trouble) AND it’s an ironclad excuse for your lack of proper permissions and paper work.

“oh, really? I can’t film here? Oh, I had no idea. I’m sorry; I’m doing this thing for my film class at Columbia. I didn’t know I needed permission to shoot here. I thought it was cool. My bad. Is it ok if I stay just a few more minutes?”

Most of the time they’ll tell you to leave. Some might be cool with you finishing up as long as you don’t create a ruckus.

I’ve had equipment confiscated by security guards, tapes taken, and cops called on me before. None of which happened with the student excuse. Tell them you’re a student.

Catering is the last thing I want to deal with on set. But people got to eat. Here are a few problems you’ll have to ponder:

- How much food should you get?
- How can you make sure everyone’s specific dietary needs are met?
- How do you ensure the food arrives and is ready in time for lunch?

Here’s your simple answer: Tell everyone to bring their own lunch.

This is a great way to keep everyone fed without spending any money. Office shoots are a bonus because everyone gets access to soda & vending machines and kitchen appliances like refrigerators & microwaves. Plus, we all take our lunch together. This is crucial. Everyone eats at the same time to avoid lunch becoming a 3-hour ordeal. And in the Chicago loop on a Sunday, most places aren’t open, causing a never-ending meal scavenger hunt.

Brown bagging it causes everyone to bring what they like (duh). You don’t have to be on top of everyone’s specific dietary needs. And if their lunch sucks, they’ll blame it on themselves. Ha! Head games…

If you must provide food for a cast, prepare to be a bagel millionaire. Several of my shoots have been catered by Panera bread, and more recently Einstein Bros.

Fellow filmmaker Mike Petrik says:

Don’t go to Panera, they don’t give bagels away anymore because some asshole ate a donated bagel he was allergic to and sued them.
Einstein Bagels will give you everything they have. They are very generous. Just go in like a week ahead of time, and they will write your name on a list. The only thing is they close at 3 pm, so you have to pick up at like 2:50.

Bagel places make a ton in the morning to anticipate a morning rush. What they don’t sell they toss. Simply go into a local bagel place a week before the shoot (the corporate ones tend to be more generous because their employees could care less about giving you their garbage) and ask if they would like to “donate” some bagels to a “student” film shoot. They’ll hook you up. If they say no? On to the next place. Occasionally you can talk them into free smears and coffee too.